Kantha is an ancient textile art form cherished for its intricate stitchwork and cultural significance. This centuries-old Bengali stitch art has evolved through generations. At Sainik Handloom, we celebrate this heritage by crafting and exporting authentic Kantha creations. We derive materials directly from villages across the country, especially the eastern region. We are on a mission to promote awareness and appreciation for this traditional craft. Our practices empower 3000 women artisans working hard to keep alive this art form.
Kantha, among India's oldest embroideries, traces its origins to rural Bengal. While its name's origin is uncertain, it's believed to stem from 'kontha,' Sanskrit for rags. Traditionally, Kanthas were crafted from worn cotton saris, lungis, and dhotis. The stitching thread was drawn from the fabric itself, showcasing remarkable recycling creativity. Layers of five to seven fabrics were stacked with lighter shades outside for clear stitch visibility.
Today, Kantha adorns a wide variety of items, including stoles, kurtas, sarees, shawls, and purses. International designers have embraced Kantha by incorporating it into their collections.
As a dedicated manufacturer and exporter of Kantha creations, Sainik Handloom is involved with 3000 women artisans. Established in 2005 by Umesh Kumar Singh, we are committed to fair business practices and client satisfaction. We export our garments and accessories to esteemed markets such as the USA, UK, Japan, Netherlands, France, Hungary, and China.
We invite you to explore our collections to support the age-old art form and our rural artisans.
We aim to spread awareness of the Kantha Stitch art form and let people rediscover its significance.
Our craftsmanship preserves the essence of traditional Kantha stitch art.
We strive for ethical sourcing to empower our women artisans for sustainable growth.
We export vintage Kantha treasures from local to worldwide destinations.
We are dedicated to client satisfaction through fair price and quality assurance.
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